Ghostbusters: Afterlife He is a movie at war with himself, not sure what exactly he wants. On the one hand, it’s a file A warm story about a needy familyThey were forced to leave their home, hoping for a new start in life. On the other hand, it is a sequel to two of the most beloved science fiction comedies in film history. All the while, these two tracks dance together—Often in harmony, sometimes not—Until the latter takes over and Almost everything is fatally decomposed that worked previously.
hereafter Directed by Jason Reitman (Juno, in the air), son Ghostbusters Co-Writer and Director Evan Reitman. Evan, this time with Jason, also co-produces with Jill Keenan (monster house). The story takes place about 30 years after the events of Ghostbusters When a young single mother named Callie (Carrie Coon) is evicted from her home. This happens at the same time that her father – a mysterious figure we only see in the shadows but with plenty of familiar equipment – is killed in strange circumstances. Callie leaves his farm in Small town of Summerville, Oklahoma And so, with nowhere else to go, she moves there with her teenage son Trevor (Weird things Finn Wolfhard) and his pre-teen daughter Phoebe (Chase Hill House McKenna Grace).
Once the still unknown family moved to Summerville, hereafter He basically pushes Coon’s character to the side and brings Phoebe to the front (Trevor is somewhere in the middle). Phoebe is strangely ostracized because she is too smart for her age, and very quickly, she begins to unravel the mystery her grandfather left behind. Soon, with some help from a new friend named Podcast (Logan Kim), proton beams and ghost traps return victorious. All this when Ghostbusters: Afterlife He is at his best – and when he is good, he is very good. Seeing these young characters (somehow completely unaware of the massive events that took place in New York in 1984) discover that ghosts are real and how they are able to trap them is, at times, downright exhilarating. illogical? little bit. But it’s very fun nonetheless. This is also partly due to Reitman expertly mixing with the creepy original Elmer Bernstein Ghostbusters Music with a more traditional, yet instrumental, Rob Simonsen update, resulting in an excellent chemistry of nostalgia and progression.
However, as Phoebe and the Podcast, with Trevor’s help, delve deeper into the mystery, things slowly begin to turn. Their discoveries began to answer some, but not all, of the questions you had about this new tale. What happened to the original ghost hunters? Why aren’t they together anymore? What have they been doing since then? Why didn’t their discoveries and actions change the whole world? And, of course, what does this family have to do with any of them? This last part was initially played as a mystery before, and it is very easy to reveal that they are the descendants of Egon Spengler (the late Harold Ramis). His reasons for being in Summerville are what finally motivates him hereafter From a touching, suspenseful, emotional, and ghost-fighter comedy for kids to Almost a shocking breakdown of fan service.
You probably realize that this isn’t the first time Ghostbusters Returning since the sequel in 1989. In 2016, director Paul Feig Completely reimagining the franchise and was He was criticized by some fans (prior to its release) for being so far away from the tone and story of the original movie, not to mention the fact that Ghostbusters are now women. This movie feels, in a way, like a subtle response to some of those feelings. The Next Generation Ghostbusters (for lack of a better descriptor) for Phoebe, the podcast, Trevor, and his crush Lucky (Celeste O’Connor) are made up of multiple ages, races, and genders. hereafter He points out that the Feig movie got that versatility right. However, unlike in Feig’s movie, the story these characters are immersed in is directly related to the original if you screw it up, you wouldn’t believe me.
The story culminates in whatever the filmmakers think – and may be right – so far Ghostbusters Maybe the fans want it. A real checklist. Characters, names, icons, and all sorts of icons come back from the original movie and play a crucial role at times, sometimes not as important as what happens in Summerville. It’s all really exciting for a few minutes, but in the end it feels awkward and intense, and ruthlessly bumping into what used to be a nice family story. The result is a major disruption to the audience’s emotional investment. You go from caring about these characters to being distracted by every reference, which is a real shame.
The bulk of this fan-service is isolated until the end of the movie, so most of the best, and toughest, elements will play out along the way. In addition, the movie is very funny from start to finish. Some of this is from Paul Rudd as Mr. Gruberson, a local teacher who helps Phoebe and her friends solve some Summerville puzzles. But the bulk of the vibe. The character has such a dry, unbridled rendition that her dialogue is horribly enjoyable in a unique and memorable way. In fact, Phoebe is the best thing about her Ghostbusters: Afterlife. Mckenna Grace – who has already had an impressive career since she started acting in 2013 – has created an instantly memorable performance that blends brains, strength, and humor. She’s doing really well and making stars here, and her charisma, chemistry, and banter with Kim are just amazing. All these complications come in a modest, pint-sized package that makes performance and character unforgettable.
On the other hand, the excellent Kari-kun (leftovers) is not fully used here. She spends most of the movie sitting in her dad’s house feeling bitter and when she finally gets a few things to do, you can’t help but think the role is cut too short at some point along the way. The same can be said for many of the other characters in the movie played by the likes of Bokem Woodbine (Spider-Man: Homecoming), Tracy Letts (homeland), and some other surprising appearances at the end. There is a strong feeling that there was a lot to put into one movie. But the movie does enough to build the world you leave with the hope that you’ll see more of these characters in the future.
After all, you’d expect something very determined to please hardcore fans to answer the many questions he puts. but Ghostbusters: Afterlife No. It does explain a few things, but there’s a lot of plot, characters and backstory stuffed in, some frustratingly important links pushed to the side or left very vague. Even worse, after its massive climax, the movie ended so abruptly, offering almost no closure to the primary characters, and then took on two credit scenes that feel like they’re from completely different, almost unrelated films. All this will say, even when you think hereafter It works, be careful. The wheels come off very quickly.
Ghostbusters: Afterlife Come And therefore close And therefore Many times for being perfect Fans of the sequel have wanted it for years. But when she becomes obsessed with her past rather than her future, she loses a lot of that power. It’s one of those movies that works and feels good while you watch it because it does so many things you love to see, but when you take a minute to think about how it all comes together, the lack of cohesion becomes a major hindrance. Lots of people will like it Ghostbusters: Afterlife And boy did I try it. I’m so impressed with the originals that I made a point to see it a second time before this review just to make sure I felt the same way. On the second viewing, some of my complaints subsided because I knew they were coming, but they were still there, and in the end, Ghostbusters: Afterlife It feels like a movie that’s afraid of being its own thing. You can almost say, that He is afraid of ghost. The ghost of the 1984 movie called Ghostbusters.
Ghostbusters: Afterlife Only opens in theaters November 19.
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