In order to bring in the end Brian K. Phone The skit by Pia Guerra Y: The last man to me Small screen, creator series Eliza Clark And the rest of the creative team behind FX’s live action adaptation knew they had to come into the project ready to rethink some of the basic ideas of the original story to make it work for modern audiences. Unsurprisingly, this task is easier said than done.
At this year’s New York Comic Con, Clarke—along with series regulars Ashley Romanes, Ben Schnitzer, Olivia Thirlby, Juliana Canfield, Maren Ireland, and Amber Tamblyn—sat down to discuss Y: The last manSeason one, opening up a little bit about their respective operations. Among the many shows released during the ongoing COVID-19 pandemic, Y: The last man It stands out especially because of the plot’s focus on The world fell into chaos After the sudden appearance of a disease that killed half the world’s population in an instant.
Looking back at the backlog before the series premiere, Clarke recalled how Covid really debuted just two weeks before filming began, which halted production and prompted the writers room to meet remotely and discuss whether the show should touch on Covid. especially. “We were two weeks away from the shooting when the covid virus hit, so we shut down the business for two months, and during that time we spent some time — the writers and me — spending some time thinking about whether or not the covid virus should take into account or not show up. ‘,” Clark said, remembering how she didn’t want to watch a show that focused solely on the pandemic. “[And so] I am grateful that this is about an event, and the period of time that follows and not a continuous onslaught of fatalities.”
She added that work on Y: The last man In the early days of the pandemic, you brought the team together almost like a family, often feeling they had nothing but each other to rely on for emotional support – something that is reflected in the show, and is often true of many of its characters. While new characters not present in the comics, such as Sam, are some of the more obvious ways FX has used Hulu quoting. Different from the comics, Clarke also talked a bit about another way she and the rest of the show’s cast were trying to give the story a different energy.
The vast majority of Y: The last manA creative team made up of women, and Clark made it clear how important it is for the series to showcase elements of the female gaze. In order to solidify the idea — but also to look at other stories in similar veins they wanted to draw from (but not plot points) — Clarke and the others set up a sort of movie club. “So we saw things from sons of men to me may destroy you to me… Thelma LouiseIn the end, I think what we decided was the female gaze, Clark said, was subjective, point of view, and details. So you see the roots of the hair, you see the skin and the sweat and the dirt under the fingernails, and every character, every scene is shot from someone’s point of view, so that you feel It’s like you’re in it.”
Y: the last of whatn Mondays are broadcast on FX on Hulu.
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